7 Feb ‑ 9 Mar 2020 (weekdays) 10am ‑ 7pm (9 hours)
香港灣仔港灣道2號 香港藝術中心14/F
free
contributed by


【Hong Kong Arts Centre ifva X Goethe-Institut Hongkong】 co-present
ifva Awards winner Carla Chan’s solo exhibition


Carla Chan was born in Hong Kong and is currently residing in Berlin. Her work Between Happening won the Silver Award of the 24th ifva Awards Media Art Category. By using black and white colour, magnet and iron powder, she built a time-based kinetic installation. Each movement reveals different landscapes. It’s like a record of how human profoundly affects the environment. Living in Berlin now, she still feels connected to the place where she grew up. A tremendous change is undergoing.

She received news from all over the place, and felt a lot after learning the current situation in Hong Kong. When she came back, she experienced more chaos and helplessness that couldn’t be described in words. In this exhibition, Carla decides to use her works to raise a question: what will human be rewarded under repeated destructions and reconstructions?

The installations are infused with Carla’s emotion in response to the present. Black and white are used as the main colour tones. Four installations can function independently, yet they are somehow connected. They form a recurring cycle in which we can view the installations from different perspectives. Similarly, in the real world, each can interpret the same thing differently about whether it is a truth or a lie. The kinetic installations of the four pieces of work show different results. Each component or scratch on the surface is a record of history. Mechanical, iron powder and magnet construct the city landscape and its silhouette. It is destroyed and reconstructed, over and over again. Each change is irreversible.



About the Artist

Carla Chan obtained her Bachelor of Arts Degree from the School of Creative Media, City University of Hong Kong. She works with a variety of media including video, installation, photography and interactive media. Much like the never-ending development of new technology, Chan considers media art as a medium with infinite possibilities for artistic expressions. Minimal in style and form, Chan’s works often toy with the blurred boundaries between reality and illusion, figure and abstraction.