⏳ 时间，是延续的，也是瞬间的；是不可逆的流逝，也是永恒的存留。

哲学家 柏格森 Henri Bergson 曾说，时间并非一连串可切割的瞬间，而是一种 「持续」(durée) —— 一种内在的流动，不断累积、交织，塑造我们的记忆与存在。展览 《时刻印记》 ，艺术家 蔡司虹 与 卢婉娴 透过摄影与陶瓷，将时间具象化，让我们在细微的纹理与痕迹中，感受时间的形态。

📷 蔡司虹 的摄影作品捕捉以色列死海岸边的泥土裂纹与层层沉积，展现时间的延续与累积。这些地质纹理不仅是自然变迁的见证，更是时间静默运行的印记。

🔥 卢婉娴 的陶瓷创作则透过柴烧与乐烧技术，让陶器表面留下无法重复的痕迹。这些不可控的变化，既象征时间的短暂与瞬间性，也成为时间停驻的证明。

时间不仅发生于时钟的刻度间，它渗透于地层的纹理、火焰的燃烧痕迹，甚至我们的肌肤与呼吸之中。这些作品不只是时间的见证，更是对时间的提问：我们如何在时间的长河中留下印记？

⏳ Time is continuous yet fleeting; it is an irreversible flow and an eternal presence.

The philosopher Henri Bergson once argued that time is not a series of discrete moments but a form of "duration" (durée)—a continuous, indivisible flow that shapes our memories and existence. In the exhibition "Imprints of Time," artists Janet Choi and May Loo transform time into tangible forms, allowing us to perceive its traces and rhythms in subtle textures and imprints.

📷 Janet Choi’s photography captures the cracked earth and sedimentary layers along the Dead Sea’s shores in Israel, revealing the accumulation of time. These geological patterns are not only records of natural transformation but also silent imprints of time’s passage.

🔥 May Loo’s ceramic works harness Wood firing and Obvara firing techniques, making unrepeatable marks on the pottery surface. These unpredictable changes symbolize the transient nature of time while simultaneously preserving its fleeting moments.

Time does not merely exist within the ticking of a clock—it permeates the layers of the earth, the scorch marks of fire, and even the breath we take. These works serve as both witnesses to time and inquiries into its essence: How do we leave our mark in the river of time?