In his autography, Yin sheds light upon recent conversion in his art philosophy: “if my image of a face or hand is a self-psychiatric interview through microscope, then the latest paysage is an overview of my mentality through a telescope. Time goes by, taking away torment and struggling once deeply buried in my heart, leaving me in peace, or rather, my anxiety fades away in front of the paysage style of Southern Song Dynasty…”