Thresholds: Contemporary Thai Art offers a reflective and, at times, bracing view onto the contemporary art scene of one of Southeast Asia’s most dynamic cultures. Featured only months ago at Sundaram Tagore New York, Thresholds is curated by art historian Gregory Galligan, director and co-founder of the Thai Art Archives in Bangkok, who demonstrates by way of six case studies how contemporary Thai artists are addressing timely social, political and artistic issues in their work. Thailand is frequently in the news for, paradoxically, its exceedingly accommodating tourist industry and its turbulent political factionalism, both of which often occlude outsiders’ view of the nation’s sophisticated contemporary artistic culture. Over the last decade, contemporary Thai artists have regularly participated in virtually all of the world’s major biennials, triennials and art fairs, yet few global observers have had the opportunity to directly engage with contemporary Thai artistic developments in any concentrated context—perhaps with the exception of the nation’s leading multi-platform artist Montien Boonma (1953–2000), multi-platform star of relational aesthetics Rirkrit Tiravanija and “slow” cinematographer Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives, 2010).