在Vivian最新的系列 《刹那的光輝不是永恆》中, 她再次用畫布重新演譯她眼中的香港及香港流行文化。展題借用八十年代當紅歌手蔡楓華的名句，帶出活在當下的人生哲學。Vivian首次嘗試用香港街景融合傳統中國畫的意景，把景和情結合，達到「詩中有畫, 畫中有詩」的表現。 向中國傳統文化致敬的同時，這次展覽的作品標題都是流行香港的金句，反映流行網絡文化對這一代年輕人的重要性。當Vivian把傳統國畫丶香港景物和流行文化的結合時，她創造了自己獨有的當代藝術風格，以及反映了她的廣納不同文化的世界觀。 In the new series “Forever is a lie, always” Vivian further investigates Hong Kong’s unique popular culture from a new yet relative perspective. The title “Forever is a lie, always (剎那的光輝不是永恆)” is inspired by the moment that went down in history and became monumental in the Hong Kong subculture. Veteran Canto-pop singer (Ken Choi ( 蔡楓華 Ken Choi Fung-wah ) at the 1985 Jade Solid Gold Best Ten Music Awards Presentation, when Leslie Cheung won three awards, Choi—who was one of the hosts of the awards show—responded, "A moment of glory is not eternal (剎那光輝不是永恒)." To say this sparked controversy is somewhat of an understatement as this over zealous comment resulted in Ken Choi being eventually being out casted from the top tier of the industry and disappearing for approximately a decade. A recent development in the artist’s practice sees a crossover with traditional Chinese painting. The composition evokes the embodiment of landscape painting. Nature paintings that originally evolved during the Tang dynasty and developed to become a genre that stood to represent a commune with nature. Such images would convey specific political, philosophical or social convictions which when combined with Vivian Ho’s artistic dynamics produce a similar contemporary result. In this dreamlike universe, once again Vivian invites us to explore these nostalgic cultural scenes and historical Hong Kong moments.