字體聚 – 字體設計對談 TypeMeet – Three voices of type design 登記連結 Register now at https://typemeet.eventbrite.com 是次的字體聚邀請到蒙納字體總監小林章先生，字體設計師郭炳權，以及字體研究及設計師厲致謙先生跟大家分享他們字體設計的經驗。 TypeMeet is fortunate to have invited Monotype Creative Type Director Akira Kobayashi, Type Designer Kwok Ping Kuen and Type Researcher and Designer Li Zhiqian to share and discuss their experience in type design. 語言 Language 粵語、普通話及英語 Cantonese, Mandarin and English (座談會將會以英文為主 Panel discussion will be conducted mainly in English) 時間表 Programme rundown 6:00pm 茶點恭候 Networking with refreshments 6:30pm 厲致謙 Li Zhiqian〔字體研究及設計師 Type Researcher and Designer〕 7:00pm 小林章 Akira Kobayashi〔蒙納字體總監 Creative Type Director, Monotype〕 7:30pm 郭炳權 Kwok Ping Kuen〔字體設計師 Type Designer〕 8:00pm 座談會 Panel discussion 講者 Guest speakers (排名按演講先後 in sequence of the programme) 厲致謙 Li Zhiqian 厲致謙先生是一位以設計為原點的多領域研究與實踐者，涉及字體研究、平面設計、空間構成、產品設計、影像、撰稿、翻譯、策展等。TheType 作者，「上海活字」綜合研究項目發起人，創新型字體公司3type（三言）聯合創始人。上海美術學院字體設計工作室特聘研究員。上海視覺藝術學院外聘講師。2023年紐約TDC Ascender獎國際評委。 Li Zhiqian is a multi-disciplinary design researcher and practitioner, involving in the fields of type research, graphic design, spatial design, product design, photohrgaphy, copywriting, translation, curatorship, etc. He is the author of The Type, initiator of the "Shanghai Movable Type" comprehensive research project, and the co-founder of the innovative font company 3type. Li is also an appointed researcher at the Type Design Studio of Shanghai Academy of Fine Arts, visiting lecturer at the Shanghai Institute of Visual Arts and one of the international judges for the New York TDC Ascender Awards 2023. 小林章 Akira Kobayashi 蒙納字體總監小林章先生（Akira Kobayashi）是世界知名的西文字體設計師。他擁有近四十年的字體設計經驗，在日本被譽為「西文字體第一人」。 他在2002年推出了Optima Nova，是Hermann Zapf 設計的 Optima 的現代版。 他還在 2009 年與 Adrian Frutiger 合作升級了 Frutiger 字體家族。在他的職業生涯中，小林章先生設計了超過 50 個字體家族，包括 DIN Next、Akko Pro 和 Neue Frutiger 等知名字體。他曾經為阿里巴巴、Bridgestone、Mazda、Garena、Mercari 等公司設計定制字體。同時，他也為 Sony 定制了英文和日文字體家族。此外，小林章先生還執掌翔鶴、松籟等日文字體的主要設計。 Creative Type Director Akira Kobayashi has nearly four decades of experience and an extensive background in Japanese typeface design and is a 2022 TDC Medal and Keinosuke Sato Award winner. He released Optima Nova in 2002, a modernized version of Hermann Zapf's Optima, and partnered with Adrian Frutiger in 2009 to update his typeface family. Recently in 2022, Akira directed the development of Shorai Sans and Tazugane Gothic. Throughout his career, Akira has designed more than 50 font families including DIN Next, Akko Pro and Neue Frutiger, and worked with major brands including Alibaba, UBS, Panasonic and Sony on custom type. 郭炳權 Kwok Ping Kuen 郭炳權先生是中港兩地的資深字體設計師，從事字體設計已近六十年，在中、英、日、韓字體設計具相當的經驗，尤其對中文字體設計的發展有著非凡的貢獻。郭氏曾於香港大一設計學院任教中英文字體設計，亦曾為多間廣告公司及集團企業作字體計設主任。1973年成立字體創作中心（CCC）後，便開始與不同的國內及海外字體公司合作，包括寫研、方正字庫、蒙納公司等，字體設計作品超過500多款，其中港人較為常用的字體有綜藝體、剛黑體、雅麗體、活意體等。 Kwok Ping Kuen is an experienced type designer in China and Hong Kong. With close to 60 years of type design experience, he specialises in designing CJK and Latin typefaces and has made extraordinary contribution to the development of Chinese type design over the decades. Kwok used to teach Latin and Chinese type design at First Institute of Art and Design and has served as the Chief Type Designer for several advertising agencies and corporate compnaies. Since founding the Creative Calligraphy Centre (CCC) in 1973, Kwok has collaborated with various Chinese and Overseas type foundries, including Shaken, Foundertype, Monotype etc. He has designed over 500 typefaces, some of the commonly used typefaces in Hong Kong are M J Ngai, M Stiff Hei, M Elle, M Gentle etc. 主持 Moderator 譚智恒 Keith Tam 香港知專設計學院副院長暨設計學科副學術總監 Vice-Principal and Deputy Academic Director of the Design Discipline, Hong Kong Design Institute 邱穎琛 Kiki Yau 香港知專設計學院傳意設計系助理講師 Assistant Lecturer, Department of Communication Design, Hong Kong Design Institute 香港知專設計學院傳意設計系及傳意設計研究中心主辦 蒙納公司香港及三聯書店協辦 Orgnaised by the Department of Communication Design and Centre for Communication Design, Hong Kong Design Institute Co-organised by Monotype Hong Kong and Joint Publishing (H.K.)